Wednesday, January 20, 2010

How many settings or features do you really need on your camera?

Camera technologies and features can sometimes distract beginning photographers from what is really important. I was always comforted in knowing that there were really only a few things, that actually affected the appearance of pictures made in my film camera. This is why manual film cameras with only five adjustments or choices (shutter speed, aperture, focal length, focus, and film choice) can make a picture equal in quality to a camera with a multitude of automated features. Automated features automate the setting of these primary camera adjustments (e.g. auto focus and auto exposure modes) but they will only technically improve your pictures to the degree that they increase your chances of getting the shot you want. So given an equally sharp lens and the same film, you can potentially make equivalent pictures with either a fully manual camera like the Nikon FM10 ($320) or a fully automated camera like the Nikon F6 ($2450). Knowing all of this, beginning film photographers on a budget would often buy less expensive manual camera bodies and save their money for more expensive and sharper lenses, which contribute more to the quality of the image recorded by the film.

Unfortunately the evolution to digital capture from film has increased the number of primary controls or choices. So what are they? Let me first list all the choices a film photographer had before moving on to digital. These choices can be considered in four steps that can be remembered using the alphabetically ordered letters CDEF. (I was introduced to the CDE part of the reminder by Freeman Patterson. You can find mention of CDE in his instructional books. It has always been one of the most helpful reminders to me, as I was making pictures. Thank you Freeman!)

Composition
1. Focal length
2. Camera position
3. Point of focus

Depth of field
4. Aperture

Exposure
5. Shutter speed

Film
6. Film type (color balance, colors, contrast level, speed, appearance of grain, etc...)

(Note: the aperture setting also affects exposure, but in most situations you want to give priority to the depth of field you choose for creative reasons by selecting a specific aperture setting. This then leaves you only with a choice of shutter speed to achieve your desired exposure.)

There are two other brief observations that I'd like to make:
  1. Focal Length: Many photographer's using zoom lenses often ignore or forget how the selected focal length affects the pictures they make. Consider walking closer or further away from your subject as an alternative to zooming in or out, and then choose.
  2. Camera Position: Sounds simple but this is one of the most important choices that differentiates photographers that produce amazing pictures, from those that don't. Encapsulated here is the chosen point of view, and the visual arrangement of shapes, lines, textures, and use of perspective within the two dimensional picture space.
Now I conveniently tacked an F onto Freeman's CDE to remind myself that the choice of film is also an important choice, that affects the appearance of the pictures made in my camera. The only problem is that I normally choose my film (F) first, and CDE as I make each picture in my camera. So going forward I will discuss them in the order F-CDE. (so much for my nice alphabetical reminder :) )

Now enter digital capture and my F becomes a D for "Digital capture" instead giving me D-CDE:

Digital capture
1. White balance
2. Saturation & Hue
3. Contrast
4. Sharpening
5. ISO

Composition
6. Focal length
7. Camera position
8. Point of focus

Depth of field
9. Aperture

Exposure
10. Shutter speed

Wow now I'm up to ten items to think about. But remember that even the least expensive of digital cameras like the Nikon D3000 has dozens of feature settings. So if you can bring yourself back to these 10 choices, you'll be more focused on what you are choosing, either directly or indirectly through automated features. Secondly the first five that you choose for Digital capture often remain the same for many pictures in a given situation. This means that you often only need to consider the last five items as you make each picture, since you've pre-chosen the first five before you began making pictures (similar to how you chose your film before shooting). (Hence the beauty of Freeman's CDE reminder for beginners as they proceed in making pictures).

So there you have it. Only ten core decisions for a photographer when making pictures, and frequently you only need to focus on the last five in CDE. That said #7 is really the big one that differentiates your best pictures from your others. A good starting point is Freeman Patterson's book, "Photographing the World Around You - A Visual Design Workshop."

Monday, January 11, 2010

Simplicity by Ken Rockwell

There is much truth in Ken Rockwell's recent post on simplicity. In brief summary he is suggesting that bringing less gear will translate into making better pictures. This past September I went on a trip to Italy and brought a D70 camera body, a 50mm f1.8 lens, a polarizing filter, and .... nothing else. Here are some of the pictures that I brought back with only that single fixed focal length lens which costs only $124.95 at bhphoto.com.

http://www.thelensmount.com/2009/09/slide-show-from-italy.html

Friday, January 08, 2010

Recommended Nikon digital SLR

"What new Nikon digital SLR camera would you recommend for still photography?"

I've been asked this several times. Obviously there are many answers to this question depending on the photographer's needs and their budget. Let us assume their goal is to have excellent creative control over the images they make, while keeping their budget reasonable. In this case I would suggest the following:

Great Starting Kit
  • Nikon D90
  • AF-S DX Zoom-NIKKOR 18-55mm f/3.5-5.6G ED II (for all-around shooting)
  • AF NIKKOR 50mm f/1.8D (for low light and very sharp images)
Today the above kit would cost you $ 1,029.85 US at http://bhphoto.com .

If you can afford quite a bit more I might suggest the following instead:

Amazing Starting Kit
  • Nikon D90
  • AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II (for all-around shooting)
  • AF NIKKOR 50mm f/1.8D (for low light and very sharp images)
Today this second kit would cost you $ 1,684.85 US at http://bhphoto.com.

"What?" you say, "I'm a student and can barely afford a cup of coffee let alone $1k on camera gear!"

Then here is what I suggest:

Least Expensive Starter Kit
  • D3000 SLR Digital Camera with 18-55mm VR Lens (KIT)
Today this kit sells for $ 549.95 at http://bhphoto.com.